Wednesday 9 September 2015

Ballet Dressed Up and the Deloitte Ignite Festival 2015

Every year, the Royal Opera House kicks of the new season by throwing open its doors to the public for a month of (mostly) free events and activities for the whole family – known as the Deloitte Ignite festival.  I attended the festival on Sunday, September 6th.  There was plenty to see and do, from performances in the Covent Garden piazza (including one man with a piano mounted on a four-wheeled bicycling negotiating the cobble stones of Covent Garden market while playing perfectly syncopated rag time – it was amazing!), to festival food, to an opera karaoke booth.

But my favourite event was undoubtedly “Ballet dressed-up”. At this event in the Paul Hamlyn Hall David Donnelly and Hannah Grennell, to amazing artists from the Royal Ballet, performed a short piece choreographed by Hubert Essakow, inspired by the story of Romeo and Juliette.
 
David Donnelly and Hannah Grennell
of the Royal Ballet
They first performed the piece wearing simple, dark coloured training gear. They then performed the piece again several times, each time wearing a different costume. The costumes ranged from the period costumes worn in MacMillan’s Romeo and Juliette, to contemporary jeans cut-offs matched with heavy boots, to sheep costumes. Each time the audience was asked to describe how the performance was perceived by them, and each time the dancers described how the costume impacted the way the danced. It was very interesting! 

David Donnelly and Hannah Grennell
of the Royal Ballet
One of my favourite iterations was the performance in which the two dancers were connected by a pair of extended double-ended tights, with one end worn over each their heads. Every time they moved apart, they were drawn back together by the elastic material of the tights.  One audience member observed that this could represent the struggle Romeo and Juliette had to go through to be together. Another audience member, aged roughly eight, observed that it involved a lot of team work. :)
I was also really enjoyed the performance in which the dancers wore Eastern inspired costumes that involved long pieces of fabric tied around their wastes. The dancers were forced to swirl the fabric around in order to not to become entangled in it, creating beautiful shapes in the process. I was also very impressed by Hanna’s slightly deranged performance wearing a blood stained shirt (fake blood, we were reassured) and one red high heel - she using the other to stab herself with.
David Donnelly and Hannah Grennell
of the Royal Ballet
The finale involved a pair of costumes that had masses of balloons attached to them. Even the dancers could hide a giggle as David tried to turn Hanna under his arm while trying to manoeuvre around the balloons.

All in all it was a very interesting and entertaining event. The Deloitte Ignite festival will continue until the end of the month, and I highly recommend trying to catch on of the events. More details can be found here.

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